The orchestra was elevated on a platform and backed by a screen which the opera sets were projected onto, with LED screens on the lower portions of performance stage. The balconies of the hall were used to build uprights to form an opera house proscenium with boxes on each side. As a concert hall rather than a theatre, many of the show's elements (such as the chandelier, which instead of falling, exploded) had to be toned down and simplified: the Royal Albert Hall was simply not capable of accepting a show the size of The Phantom of the Opera, or at least not the full original.
As a result, the event was planned as a full show.ĭesigning the staged show at the Royal Albert Hall was a daunting task, as the space (or lack thereof) was not an easy one to translate a proscenium show into. Designer Matt Kinley initially planned to hold a concert-style production not unlike the Les Misérables 25th anniversary concert at the O2 Arena, but Mackintosh made it clear the show would be fully staged, as both he and Lloyd Webber felt it would not work unless it was the whole show. To mark the milestone of 25 years, Andrew Lloyd Webber and Cameron Mackintosh planned a special 3-day production to take place at London's Royal Albert Hall in October 2011.
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